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By Tasha Harris, NYC Comedy Journalist
STAGE TIME The Magazine That Stands Up For Comedy
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Why do you think you wouldn’t have won?
My act, content-wise…The guy who won the first year – it’s not that he’s a bad guy, but they don’t vote
for who is necessarily the best writer.
He got the sympathy vote.
I think so too. I just wouldn’t have seen myself winning, realistically. I think I would have gotten in
the house but I would have totally self-destructed. But I wound up not being able to do it.
The Tonight Show – Ross and Bob said, “Hey, send us a tape. We really liked you.” “Yeah, alright.”
…They called me a month later, “Are you ever going to send a tape?” I’m like, “Oh, I’m not a
dummy.” So I sent it. They approved it. They’re like, “Great!” and they gave me a date. So I’ve done
that twice, which I think was a result of Last Comic Standing. A lot of things have happened since I’ve
been on radio that made my career, a much more balanced place than where it was.
What was your experience performing on The Tonight Show?
They’re great. Unlike other nameless, late-night, faggoty talk show hosts, they don’t emasculate you
as a comedian. They encourage you to be funny and a little bit edgy. They encourage that. They let
me get away with a lot. They didn’t edit one joke. The second time I did it, they didn’t edit one joke.
None of them were dirty jokes. And one dumb New York comic [said], “They’re going to let you do that
on The Tonight Show?” “Yeah, stupid!” Stop thinking like that, you fucking 1988 hack. Comics make
me fucking nauseous…
At The Tonight Show, Jay [Leno] will address you, talks to you. People think of The Tonight Show as a
“mom and pops” – they remember it like when Johnny [Carson] was on, when you’re parents watched
it. Jay Leno does pedophile jokes, racial jokes. Colin pointed that out actually a long time ago and he
was right.
How did your HBO special come about?
…I got that special – my manager is
amazing. We were off of Opie & Anthony.
They wanted me to do a showcase in New
York. I lived up on 43rd Street. There’s a
43rd Street playhouse, two blocks west, 350
seats in the theater. They sold it out.
It’s not that many people but they got a lot
of the industry down and I didn’t want to do
this at all. But I wound up getting an HBO
special out of it and four or five MTV pilots.
I got a lot out of that one show. That
started the ball rolling. A couple people
weren’t looking – Aspen Comedy Festival. ”
Puh!”
You can write “makes the spitting sound,” - [they] weren’t interested, of course not. Sorry, I don’t wear
fucking little “John Lennon” glasses and do that define irony, intellectual, fucking phony dog shit that
you thrive on. That was a great one. That was my agent and my manager.
How did you prepare for your special?
Onstage constantly. Constantly, tightening. And I knew most of the other guys that wanted to deal
with me were the Opie & Anthony fan base, were fucking animals. We sent out emails...So I went on
the air and we talked about and I guess we got 3000 emails the first weekend...They gave me my
own late night show, which was great. That's the one I wound up using. I wanted my own crowd there.
There's was a lot of preparation with technical stuff too but HBO was great to deal with.
They gave me a special and I’m doing the Louis CK series. It’s HBO's first live audience sitcom.
What part do play on Louis CK’s show, Lucky Louie?
I play his friend, Rich. He’s a fucking zero. I play a douche bag. I haven’t seen the script yet. The bio
was very well written. So hopefully, the series will go well.